Category: Mitcheson

Fanny McGregor’s Notebook

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The old notebook has a scuffed brown cover, but its pages are full of poetry, transcribed in neat handwriting. Clearly, this notebook once belonged to a woman who admired Lord Byron and other early 19th century English poets. Her name was Frances – or Fanny – McGregor, and she may have been my ancestor.

I came across the notebook while searching for the name McGregor in the online catalogue of the Historical Society of Pennsylvania. The first result to pop up was “Frances McGregor autograph book, 1825.” In response to my query, the society forwarded a digitized copy of the entire notebook.

The donation plate and first page (page 11) of the notebook.

There’s a note clipped to the front, “Frances McGregor? selections from English poets,” which is a more accurate description of it. The label inside the cover indicates it was given to the historical society by “Miss Mary Forman Day, April 22, 1936,” more than 100 years after the last entry was made in 1829.

Who was Mary Forman Day? She could have been a friend of one of Fanny’s grandchildren.1 Born in Philadelphia in 1860, and died in 1950 in Washington, D.C., she was probably the person who gave many documents pertaining to her Forman ancestors — early Maryland settlers — to area historical societies.2

As for my three-times great-grandmother Mary Frances McGregor, she was born near Port of Menteith, Perthshire, Scotland around 1792. She usually went by her nickname, Fanny. According to family lore, she finished her education in Edinburgh and then came to America. She married English-born Philadelphia merchant Robert Mitcheson, and the census shows they lived in the Spring Garden district, on the outskirts of Philadelpia. I am descended from her eldest daughter, Catharine, who was born in 1822.

Fanny (McGregor) Mitcheson, Philadelphia

I tried to eliminate the possibility that another Frances McGregor owned this notebook, but that proved difficult. Only the head of the household was named in census records and city directories at that time, making women especially hard to find.

If a title page ever existed, someone tore it out long ago, and the notebook begins on page 11.  Nevertheless, Frances’s name appears three times: she signed “Fanny” on a small botanical painting on the last page, and she wrote “Frances” on the inside back cover.

Her name also appears on page 11, at the bottom of a poem that begins, “When shall we three meet again?” Those words were spoken by the three witches in Shakespeare’s Macbeth, but this is a different poem, expressing the sadness of friends about to be parted. Perhaps Fanny included this poem because she knew she would be leaving her life in Scotland for a new one in the United States.

Many of the poems Frances included in the notebook were written by Lord Byron. She also included a passage from Milton’s Paradise Lost, a short excerpt from an opera and “A Canadian Boat Song, written on the River St. Lawrence”, written by Irish poet Thomas Moore and first published in 1805. The notebook ends with several poems about England’s Princess Charlotte. In 1817, her baby was stillborn and the princess also died. These tragic events inspired much public sympathy at the time.

Frances seems to have written at least one of the notebook’s entries herself. “A Poem – On Home, written by a Young lady at School in the Year 1814” described memories of a loving mother and a happy childhood, but complained of loneliness and disillusionment as the young author moved toward adulthood.  

Besides poetry, Frances included several “puzzles” such as, “Why are your eyes like coach horses?” and “Why is a washerwoman like a church bell?” and “How is a lady of loquacity like a lady of veracity?” She did not include the answers.

One of my favourite entries is called “New View of Matrimony.” Frances wrote, “A lady meeting a girl who had lately been in her service, inquired, ‘Well, Mary, where do you live now?’ ‘Please Madam, I don’t live now,’ replied the girl. ‘I am married.’”

My other favourite entries are the botanical paintings: simple but colourful images of wild geraniums, wild violets and roses.

Whoever created this notebook, it is clear that she was well educated, probably from the upper middle class, and had a quirky sense of humour. The more I think about it, the more strongly I suspect it belonged to my Frances McGregor, but I can’t prove it.

Photo credits: Frances McGregor autograph book, 1825, courtesy Historical Society of Pennsylvania
portrait: Bagg family collection

Notes

1. Grandchildren of Fanny (McGregor) Mitcheson who could have known Mary Forman:
Joseph McGregor Mitcheson (1870-1926) WW1 navy officer and Philadelphia lawyer;
Mary Frances (Mitcheson) Nunns (1874-1959);
Robert S. J. Mitcheson (1862-1931) Philadelphia physician and art collector;
Helen Patience Mitcheson (1854-1885);
Fanny Mary (Mitcheson) Smith (1851-1937) wife of Philadelphia lawyer and collector of historical documents Uselma Clarke Smith.
Fanny had five other grandchildren in Canada through daughter Catharine Mitcheson Bagg.

2. For example, Mary donated the Forman papers, MS 0403. H. Furlong Baldwin Library., Maryland Center for History and Culture, https://mdhistory.libraryhost.com/repositories/2/resources/49

This article is also posted on the collaborative blog https://genealogyensemble.com

A Gift of Art

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Philadelphia physician Robert S.J. Mitcheson (1862-1931) is said to have been a kind, thoughtful person and a good doctor, but his true passion focused on another realm entirely: art. Thanks to his widow’s generosity, it is as an art collector, rather than as a physician, that his legacy endures.

Several years after R.S.J.’s death, Lucie Washington Mitcheson donated some of the best paintings from his collection to the Philadelphia Museum of Art. She didn’t know much about art, but did know that the paintings would serve as a memorial to her beloved husband.

Portrait photo of Robert-S-J-Mitcheson
Robert S.J. Mitcheson

I came across Robert’s name long before I started to research my ancestors in a serious way. I knew my Mitcheson ancestors lived in Philadelphia in the 19th century, so I asked a researcher at the Historical Society of Pennsylvania (HSP) to look up the family. But Philadelphia, which had been founded in 1682, was home to many well-respected colonial and revolutionary families. The Mitchesons came to Philadelphia from England around 1817, so they were not included in any American genealogies. Thanks to Lucie Washington’s ancestry, however, the researcher did find Robert S.J. Mitcheson mentioned in a book about colonial families,1 and it mentioned both his medical career and interest in art.

Robert S.J. Mitcheson was the only son of Episcopal clergyman Robert MacGregor Mitcheson, (1818-1877) and Sarah Johnson (1823-1907). He had two older sisters: Fanny Mary Mitcheson (1851-1937), who married Uselma Clarke Smith and had five children, and Helen Patience Mitcheson (1854-1885), who died unmarried.

His father died when R.S.J. was 15. In his will,2 Reverend Mitcheson expressed the wish that his son study for a profession rather than go into business. R.S.J. attended the Philadelphia College of Pharmacy, graduating in 1885, and worked in the wholesale and retail drug business for several years. He then studied medicine at the University of Pennsylvania, graduating in 1891, and opened a medical practice, specializing in the ear, nose and throat. He also taught at the university.

He married Lucie May Washington (1867-1952) in Philadelphia in 1894 with Lucie’s father, Reverend Shadrach Washington, officiating at the wedding. The couple had no children and lived for many years in a row house on North 15th Street, first with Robert’s mother, then with Lucie’s.

Even as a medical student, Robert was interested in art, and he purchased a large number of paintings over the years. When he died suddenly at age 69, he left the collection in Lucie’s hands.

At first, she was not sure what to do with the paintings, but with the help of R.S.J.’s nephew, Chicago architect William Jones Smith, Lucie arranged to donate ten oil paintings to the Philadelphia Museum of Art. William was a friend of the museum’s director, Fiske Kimball. Kimball chose the paintings he wanted — primarily landscapes done by 19th-century American artists — and they arrived at their new home in October, 1938. At the time, the museum’s vast neoclassical building (familiar to many from a scene on the front steps in the movie Rocky) was only ten years old, and many of its walls were still bare.

Landscape, by William Langson Lathrop, American Artist (1859-1938); Philadelphia Museum of Art: Gift of Lucie Washington Mitcheson in memory of Robert Stockton Johnson Mitcheson for the Robert Stockton Johnson Mitcheson Collection, 1938-22-5.

A flurry of correspondence between Lucie and museum staff reveals that everyone was happy about the gift. The paintings were hung together for a month in the newly furnished board room before being put on public display. Lucie was invited to come to see them, and to become a patron of the museum. Thrilled, she admitted she had once thought of museums as impersonal places, but “now I shall feel I am really one with you, and anticipate many visits to our Museum.”3

Several years later, she sold a number of paintings and water colours from the collection at auction. By 1946, Lucie must have also sold the house as she had moved into a hotel in the Mount Airy neighbourhood of the city. Her health was declining, nevertheless, she continued to correspond with museum director Kimball. That year she wrote, “It nearly breaks my heart not to be able to accept the many kind invitations that come to me from the museum, and now of all things to miss the Xmas party is the last straw.”4

The final entry in the museum’s file of correspondence with Lucie W. Mitcheson is a note to the museum director, informing him of her death on May 24, 1952.

St. James the Less Episcopal church cemetery, Philadelphia. Robert S. J. Mitcheson is in the front row, middle, with his mother, Sarah Johnson, on the left and his wife, Lucie Washington, on the right. His father, Rev. R. M. Mitcheson, is in the row behind, left, and sister Helen Patience on the right. His other sister, Fanny Mary Mitcheson, is buried with her husband, Uselma Clarke Smith, in Mount Moriah Cemetery. His grandparents and other members of the Mitcheson family are buried in another large plot in St. James the Less cemetery. JH photo.

Notes and Sources

Dr. Robert S.J. Mitcheson photo courtesy of University of Pennsylvania Alumni Office

1. Wilfred Jordan, editor. Colonial and Revolutionary Families of Pennsylvania; Genealogical and Personal Memoirs. New series. New York: Lewis Historical Publishing Company, Inc., 1942, p. 507. The author noted that, “according to family history,” Robert S.J. Mitcheson was a descendant of Richard Stockton, signer for New Jersey of the Declaration of Independence. That would have greatly improved Robert’s social status in Philadelphia, however, I have been unable find evidence of a connection.

2. Robert McGregor Mitcheson, Nov. 30, 1877, City of Philadelphia Register of Wills Office, #895. Familysearch.org, Wills, 1682-1916, Index to Wills, 1682-1924, film #07726523; Wills, V. 90-91, 1877-1878, image #390.

3. Lucie W. Mitcheson, Dec. 16, 1938, General Correspondence and related material, 1938-1939, Philadelphia Museum of Art, Library and Archives.

4 Lucie W. Mitcheson, Nov. 30, 1946, General Correspondence and related material, 1945-1946, Philadelphia Museum of Art, Library and Archives.

This article was also posted on https://genealogyensemble.com on Dec. 8, 2021.